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Posts from the ‘advice’ Category

Ask Amanda: Why is there a loose stitch at the end of the row?

It’s important to remember that there are as many styles of knitting as there are knitters, so each person’s work will look slightly different.

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Ask Amanda: How do I make a slip knot?

The humble slip knot is the foundation upon which countless yarn projects have been built.  It’s typically the first loop that you’ll put on your crafting tool of choice, since a slip knot for knitting is the same as a slip knot for crochet.

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Ask Amanda: How do I wind yarn into a ball?

Before I answer the question about winding yarn, let’s take a look at the different ways yarn is packaged. Here at Berroco, our yarns are generally packaged in one of three different ways (or put-ups, as they’re called). Deciding which way to package the yarn depends on a lot of factors, including the nature of the yarn, the capabilities of the spinning mill, and the preferences of our customers. Here are the three basic types:

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Ask Amanda: Should I block my knitting before or after sewing seams?

This question pops up a lot, and like many things in the world of knitting, there is no stiff, permanent rule. However, In most cases, I’d recommend blocking the pieces of a garment before sewing seams. Here are three reasons why:

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Blocking Acrylic Blends

If you’ve read any of our previous posts on the topic (Q&A with Norah and Cirilia, and Cirilia’s wet-blocking tutorial), you know that how you block a project depends on a number of factors. Read more

Berroco Abroad

Berroco yarns and patterns are readily available in hundreds of yarn shops around the United States and Canada, but what if you live in a different country? Read more

Decreasing Gracefully

It’s a phrase that pops up pretty frequently in knitting patterns: “Decrease X sts across the row.” Read more

Going Around

I’m so happy to be back at Berroco! My first day at work felt a little like a reunion, with so many familiar faces welcoming me back to the office. I instantly felt right at home, and promptly began stashing chocolate-covered pretzels and vanilla wafers in my Read more

Whirlwind June…

June has been exactly like a summer storm. A bit scary, very unpredictable, fast-moving, and at times refreshing and beautiful. It has been an exhausting but inspiring month…

Norah and I spent the first half of the month consumed by TNNA! If you weren’t following our updates on Twitter you can see a wonderful recap thanks to the Hello TNNA wonder team (aka Team Rav!). This was a really cool addition to the show, and an excellent way for knitters at home to get a sense of what will be hot in the upcoming year. This was definitely the most busy, exciting TNNA I’ve attended, and I think it is thanks to all the NEW! We were of course very happy to unveil our Fall/Winter 2010 collection but it was also really fun to participate in new programs like the TIPS [Trends, Ideas and Products] info sessions and to see some first time exhibitors, especially Ysolda who set up a booth that made it feel like you had fallen into her Flickr stream! So fun! Norah and I visited often (see if you can find us…).

The minute we got back we had a photo shoot to think about! It was pure madness for a couple of days there. Deliriously tired, we knit the last few items frantically. This is me, on “vacation” (NOTE SUN PRECAUTIONS! WEAR SPF, EVERYBODY!!):

Even after several crippling beach knitting marathons, I still didn’t manage to finish before the day of the shoot! You can read the whole story here, I participated in the 2 Week Sweater Challenge that Kate at Twist Collective, who was also on deadline, dreamt up. For all the crazy stress, we ending up having a fantastic and easy photo shoot at one of our favorite Providence boutiques, Heir Antiques, which shares a space with Calico. We simply love owner/curator/raconteur Tyler’s aesthetic and he couldn’t be sweeter, which helps to make it a fun day rather than a draining one. Here is a sneak peek at Aidez, the sweater that was nearly in peril!

Have you made it this far?! This long post should give you some sense of how insane this month has been, and if you’re still reading, it is probably safe to say you’re genuinely curious about the goings-on of a design team! If SO, I highly recommend you get yourself a copy of Shannon Okey’s amazing new book The Knitgrrl Guide to Professional Knitwear Design. It includes all the stuff I have learned along the way, a lot of new things I want to work on. Honestly, just reading it reminded me how very complex this (admittedly super fun) job can be! Inspiring in so many ways.

Okay! Over and out, see you in July!

Cirilia

Blocking Part Two, where Cirilia and Norah answer your questions

 

It was quite thrilling to read all of your comments on blocking. Many of you are in agreement with us that it is a vital part of the knitting process. I hope I allayed some fears; a lot of us seem to hear a strident voice telling us that we have to do things a certain way. My M.O. with knitting is a little more casual. That said, there were lots of great questions which made me think that a second post about blocking would be welcomed. 

 

Notes

 

CIMG5808I forgot to credit the Jubilee pattern! It is Norah’s design. It was actually meant to be included in one of the fall books and was cut because it was a little too delicate next to all the other sweaters in that collection. The name has a slightly scientific origin…any guesses? 

 

I have to first confess that the adorable blocking board inspector is not my pooch! Her name is Simone, she is from the South, belongs to my housemates and is something of a model! Fellow knitter Li Ward from Fat Cat Studios recently photographed her: http://www.fatorangecatstudio.com/blog/2009/05/simone/

 

-CR

 


Questions

 

Where can I buy blocking supplies? 


CR: Check your local yarn shop, or if that doesn’t work, use an online retailer. Lots of knitting shops stock these items and if they don’t….tell them they should! 

 

NG: I have to admit I usually retro fit supplies. For years I used a cardboard cutting board made for sewing as a backing board for my wet blocking. It did get all warped and messy looking but the inch marks are great and it’s inexpensive. My favorite blocking tool, the steamer I bought at a big box store, is definitely my friend.

 

Can you block acrylic yarns? 


CR: It depends. You can’t block it in the true sense because acrylic fibers don’t have the memory that wool does, therefore they aren’t as malleable. Every finished object can benefit from a wash and a shake though! This simple finished step will even stitches and smooth wrinkles. 

 

NG: Be very careful, heat can totally change the nature of acrylic yarn. It can flatten and soften, but that’s not always good, and once the yarn is heated, it won’t bounce back. Misting with cold water or wet blocking the pieces should yield reliable results.

 

Why do the pins and wires have to be rust proof? 


CR: When you wet block a natural item it can often take several days to air dry completely. There is a danger of rusting and staining if you don’t use specially treated pins.

 

How do I block (cotton, silk, blends, etc.)? How do I block a sweater, toy, blanket, scarf? Basically, how do I know which method to use and when? 


CR: Wool is definitely the most blockable fiber out there, meaning it will be the most flexible when wet and will remain in the shape you pin it into when it dries. Other fibers will still benefit from blocking but you may not see a dramatic change or be able to sculpt it as much as something made from wool or a wool blend. Be aware that certain fibers will do wacky things when they hit the water! Bamboo will shrink, cotton will groooow, but they will return to normal, I promise! 

 

You can chose your method based on what your project needs. Is it something made in pieces that needs to be flatter before seaming? Steam them before seaming. Does it already look pretty decent? Go with a light steaming. Did you take the whole project on a camping trip? Give it a good wash/wet blocking. Lace patterns almost always require a real stretching. 

 

NG:  Test the method you think want to use on your swatch to reduce suprises.  In my experience, the only thing you can really mess up by blocking is acrylic.  so they is no reason to be afraid.

 

Should I block pieces before I seam them or after?


CR: I think it’s easier to gently steam them flat before seaming. A more rigorous wet blocking can happen post-seaming. 


NG: I pretty much agree, except i tend to block the pieces strongly be fore seaming and lightly steam the finished product.  It’s way easier to sew you sweater together if you block the pieces first and way easier to shape and stretch to the desired  while all is still flat.

 

How long does blocking last? Should I re-block an item after I wash it? 


NG: In most cases, drying the sweater flat IS blocking it.

 

I know you can stretch knitting during blocking but can you shorten or shrink knitting this way? 


NG:  Not much, in my experience, with the exception being rayon or bamboo yarns which stretch when you wear them, shrink up when wet and dry to be more relaxed.

 

How do I block a round or irregularly shaped item? How do I block a really LARGE item? How do I block a hat or beret? 


CR: Ideally you would use large blocking boards, but they’re expensive! Some readers mentioned that they use cork boards. A simple Google search turns up lots of tutorials for making your own blocking boards; my favorite tip is using gingham fabric with 1” squares. Cute and functional! I usually don’t block hats but I’ll block a beret over a 10” dinner plate to encourage slouchiness. 

 

NG: Tailoring hams are very helpful for steam blocking rounded objects like hats.  For huge items, you might try blocking it folded and steam the fold our after.

 

Why should I use a special wool wash? What if I am allergic to lanolin? 


CR: Soak is lanolin free, but often wool washes will contain lanolin, the naturally occurring oil present in sheep’s wool. The idea is that the wool washes with lanolin recondition and soften fibers that may have lost some lanolin in processing. Wool washes are often formulated to be low-sudsing, which means that rinsing isn’t altogether necessary (the detergents evaporate as the fabric dries). This is a good thing when you’re trying to avoid over-handling a garment that might felt. 


I have to admit it made me cringe to hear that some of you are using dishwashing detergent! That is an extremely harsh detergent meant for super messes, not delicate fibers. If you want to economize, baby shampoo is a much gentler option.

 

NG: I have been known to use shampoo in a pinch, but I like the aroma of many of the washes now on the market (and I usually don’t like scented products!)

 

Will blocking flatten my pattern or take away the handmade look? 


CR: If you’re worried about losing the dimensionality of a pattern stitch, block less aggressively. Don’t stretch the fabric as tightly as a drum head, and think about forgoing pins. Pat it into shape and allow to dry. The wires can be reserved for flatter sweater pieces and lace projects. 


NG:  Non of the methods we mention will take the “handmade”look away, like flattening with an iron will. remember, the piece will eventually be hand washed and dried flat and it will still look handmade then. I don’t care for the look of sweaters after they’ve been to the dry cleaner. 

 

 

Can I block only certain portions of an item? For instance, on the Jubilee scarf, can I block the lace and not the cabled portion? 

 

CR: You might be able to finagle this…but my first recommendation would be to simply block less aggressively. 

 

NG:  Steam is perfect for this, you can pull at the portions you want to stretch out and leave the other parts lightly steamed.


 

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